|
|
|
This novel chronicles the life of an educated
Chinese woman trying to navigate China’s rapidly
changing social, economic, and political
environment. Set in the reform period of the
1990s, the protagonist, Lin Jun, was a child
during the Cultural Revolution and has vivid
memories of its terrible consequences for her
educated parents.
However, she is still young enough to benefit
from the changes in contemporary Chinese life.
Torn between traditions that dictate
self-sacrifice for one’s family and the allure
of new freedoms, Lin Jun must decide how best to
live her life in a world almost completely
unrecognizable from that of her youth.
|
|
|
“Maybe it’s
impossible to explain being a Chinese to a foreigner,’
says Lin Jun, the 31-year-old Chinese schoolteacher
who’s at the center of May-lee Chai’s plucky novel. Lin
Jun is in charge of easing the w ay for Cynthia, a
visiting American instructor at her middle school in Nanjing. But Lin Jun is negotiating unfamiliar territory
herself. Though she has been envied for her ‘lucky
face,’ the good looks that her jealous co-workers think
have won her unusual privileges and a handsome husband,
Lin Jun doesn’t feel particularly fortunate. Her
estrangement from her husband is so deep that she spends
many cold nights alone, riding her Flying Pigeon (the
brand name of the un-stylish but sturdy black bicycle
that she calls her ‘stalwart ally’). Lin Jun also feels
distant from her adored only son, who must live away
from home at his nursery school during the week. The
author was herself a student at Nanjing University and
taught English at a middle school there, so she makes a
sympathetic and knowledgeable chronicler of Lin Jun’s
efforts to find a place and a voice for herself.”
|
|
- The New York Times Book
Review |
|
|
“For anyone
interested in the changing face of China, or the
Cultural Revolution as seen from the perspective of
dissidents and their families, this book demands to be
read.”
|
|
“The most
fascinating thing about this compelling, deftly written
story is the picture of Chinese society in transition
and the widening gap between the martyrs of the Cultural
Revolution and the young generation, with its new
freedoms and expectation.”
|
|
“One woman’s
triumph beautifully told.”
|
|
- San Diego
Union-Tribune |
|
|
|